Uendo Toneido (
whirluendo_of_puns) wrote in
melodiesofeternity2019-02-26 06:22 pm
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Entry tags:
[Open] Who wants to learn about rakugo?
Who: Uendo, open
When: February 25
Where: Arito
What: It's Otherworlder Culture Day, a local festival where the scholars of Min'To gather to learn about the cultures of past otherworlders! Uendo is there to share his rakugo; anyone is free to come watch, and perhaps you can share something from your own world while you're there?
Warnings/Notes: Whatever people bring with them
Only two weeks left until Bahamut's summoning. Uendo knows he should be out there, doing something to prepare himself for the upcoming battle -- but even after this entire past year in Vaikuntha, he's still not a fighter. He's not the detective type either, no matter how much he likes his crime shows. What could he possibly do to find the summoner that someone hasn't already tried?
So, he's helping in the one way he knows how.
"Thank you for coming! My name is Uendo Toneido. I'd like to introduce everyone here to rakugo, an art of comedic storytelling from my homeworld!"
The scholars have helpfully provided him with a stage and a cushion to sit on. The venue is fairly small, just as he was hoping. Being able to make eye contact with every audience member makes a huge difference in creating a warm atmosphere.
"The easiest way to explain rakugo might be by comparing it to a one-man stage play... though I've heard it called sit-down comedy as well. A rakugo artist acts out a story without leaving his cushion, with only a fan..." He holds up a paper fan, as well as a small linen towel, "...and a towel, called a tenugui, to use as props. I'm going to ask you all to help me out by stretching your imagination to its limits, okay? This way, a simple fan can become anything: a pipe... a pair of chopsticks... a ladle... a sword..."
He rests the fan on his hip like a hilt of a sword, and swings. Some of the audience members in the front row instinctively jerk back.
"Perfect, you got it already! Now, the tales of the rakugo tradition go back hundreds of years, to the Edo period of Japan. We're not talking about myths or legendary heroes here; rakugo is about the everyday lives of ordinary people, the good and the bad. You could call it a window to the past... though, looking through it, you'll find people were just as easily amused by poop jokes and puns then as they are now, so that can take the shine off the nostalgia a bit."
There are a few good-natured chuckles around the room.
"Usually, I don't pick out a story until I'm already on the stage and see what the audience is looking for. Which can be a bit of a pickle when the audience has no expectations! For my demonstration today, I'll go with the easy answer and look to recent events for help, so... How about that Valentine's Day?"
Uendo shrugs his haori off, continuing to chat conversationally.
"It's easy to get caught up in the idea of a whirlwind romance and trying to impress your girl with pricy gifts. Once the honeymoon glow wears off though? Making a relationship last takes a lot of hard work. Today's story is about a fishmonger and his wife who live near a riverbank in Shibahama. The fishmonger, named Kuma, has a good eye for fish, but is sadly something of a lush. He skips out on work and drinks from dawn to dusk, much to his wife's chagrin. One day, she manages to pester him into leaving the house..."
He shifts a bit on the cushion and, with merely a change in body language, begins acting out the story. The scenery is painted by miming each movement, by directing the gaze, as though he's truly on a riverbank and not the stage. The fan becomes a smoking pipe, the towel becomes a purse. The way he switches effortlessly between the fishmonger and the wife... It's like he's a different person.
The story, despite its comedic moments, turns quite emotional. Uendo is in tears by the end, voice cracking with feeling. There are a few moist eyes in the audience, too.
"Actually, though... I'd better not." He places an imaginary sake cup back on the floor and smiles tenderly through his tears. "I wouldn't want this to become just another dream."
He bows, and the audience breaks into an applause. It may not be a standing ovation, but... It looks like everyone had fun.
[OOC: You can respond to Uendo's performance, but you can also use this log to write up something your character wants to share at the festival if you'd like!]
When: February 25
Where: Arito
What: It's Otherworlder Culture Day, a local festival where the scholars of Min'To gather to learn about the cultures of past otherworlders! Uendo is there to share his rakugo; anyone is free to come watch, and perhaps you can share something from your own world while you're there?
Warnings/Notes: Whatever people bring with them
Only two weeks left until Bahamut's summoning. Uendo knows he should be out there, doing something to prepare himself for the upcoming battle -- but even after this entire past year in Vaikuntha, he's still not a fighter. He's not the detective type either, no matter how much he likes his crime shows. What could he possibly do to find the summoner that someone hasn't already tried?
So, he's helping in the one way he knows how.
"Thank you for coming! My name is Uendo Toneido. I'd like to introduce everyone here to rakugo, an art of comedic storytelling from my homeworld!"
The scholars have helpfully provided him with a stage and a cushion to sit on. The venue is fairly small, just as he was hoping. Being able to make eye contact with every audience member makes a huge difference in creating a warm atmosphere.
"The easiest way to explain rakugo might be by comparing it to a one-man stage play... though I've heard it called sit-down comedy as well. A rakugo artist acts out a story without leaving his cushion, with only a fan..." He holds up a paper fan, as well as a small linen towel, "...and a towel, called a tenugui, to use as props. I'm going to ask you all to help me out by stretching your imagination to its limits, okay? This way, a simple fan can become anything: a pipe... a pair of chopsticks... a ladle... a sword..."
He rests the fan on his hip like a hilt of a sword, and swings. Some of the audience members in the front row instinctively jerk back.
"Perfect, you got it already! Now, the tales of the rakugo tradition go back hundreds of years, to the Edo period of Japan. We're not talking about myths or legendary heroes here; rakugo is about the everyday lives of ordinary people, the good and the bad. You could call it a window to the past... though, looking through it, you'll find people were just as easily amused by poop jokes and puns then as they are now, so that can take the shine off the nostalgia a bit."
There are a few good-natured chuckles around the room.
"Usually, I don't pick out a story until I'm already on the stage and see what the audience is looking for. Which can be a bit of a pickle when the audience has no expectations! For my demonstration today, I'll go with the easy answer and look to recent events for help, so... How about that Valentine's Day?"
Uendo shrugs his haori off, continuing to chat conversationally.
"It's easy to get caught up in the idea of a whirlwind romance and trying to impress your girl with pricy gifts. Once the honeymoon glow wears off though? Making a relationship last takes a lot of hard work. Today's story is about a fishmonger and his wife who live near a riverbank in Shibahama. The fishmonger, named Kuma, has a good eye for fish, but is sadly something of a lush. He skips out on work and drinks from dawn to dusk, much to his wife's chagrin. One day, she manages to pester him into leaving the house..."
He shifts a bit on the cushion and, with merely a change in body language, begins acting out the story. The scenery is painted by miming each movement, by directing the gaze, as though he's truly on a riverbank and not the stage. The fan becomes a smoking pipe, the towel becomes a purse. The way he switches effortlessly between the fishmonger and the wife... It's like he's a different person.
The story, despite its comedic moments, turns quite emotional. Uendo is in tears by the end, voice cracking with feeling. There are a few moist eyes in the audience, too.
"Actually, though... I'd better not." He places an imaginary sake cup back on the floor and smiles tenderly through his tears. "I wouldn't want this to become just another dream."
He bows, and the audience breaks into an applause. It may not be a standing ovation, but... It looks like everyone had fun.
[OOC: You can respond to Uendo's performance, but you can also use this log to write up something your character wants to share at the festival if you'd like!]
The Nohrian Pavillion
Still, it's a role she takes seriously, and this cultural festival was too good an opportunity to pass up. So for the last little while one of Corrin's many side-projects has been getting a Nohrian pavillion set up for the festival, with the scholars' help, which had been invaluable.
Inside the black and purple tent, visitors will find Corrin in her Nohr Noble regalia and a small exhibit that's been put together. Most of the "artifacts" are reproductions, though a large map of the country has been provided based on the one Corrin fished out of the Dream Width not too long ago; notable cities, such as the capital of Windmire, important military outposts like Fort Dragonfall, and other notable towns such as Dia, Nohr's primary port, and the town of Macarath, located in the most fertile region of the kingdom, and thus its agricultural center, have been marked out, with accompanying descriptions. Shadow Yato is prominently featured in a display case in the center of the room, along with recreations of Siegfried and Brynhildr, the two other Divine Weapons of Nohr, with descriptions of both. Other recreations include crown of iron laurels worn by her brother King Xander, a horned circlet favoured by the First Princess Camilla, the helmet of a Faceless and the mask of a Stoneborn golem, a pauldron favoured by Nohrian sellswords, as well as the heavy chestplate favoured by rank and file Nohrian knights, amongst others. Some of the display cards mention the two Divine Weapons of Hoshido, Raijinto and Fujin Yumi, but they are not represented physically. Some information about Hoshido is provided, but as Corrin still knows far too little about the culture and people of the kingdom of her birth, she does not feel confident in her ability to accurately represent it, and so mostly refrains from doing so.
There's a lot to read, too. All of it is based on conversations Corrin has had with the scholars of Min'To who have then...cleaned it up and made it more accessible to read. Many displays contain historical information about the country, as while Corrin may have grown up isolated, Xander ensured she was properly educated about the country she was to eventually have a hand in administering, its three main knightly orders (the rank and file infantry Knights of Nohr, the mounted Cavaliers, and the aerial Wyvern Knights), as well as biographies of the Royal Family; that is, King Xander, Princess Camilla, Prince Leo, Princess Elise, and Princess Azura (Corrin does her best to be impartial here, with varying degrees of success). Some information is also provided about King Garon; the real King Garon and not the creature that took his place and masqueraded as him, who was principally responsible for prosecuting the war with Hoshido.
On that note, there's also a lot of information about the Hoshidan War, and Corrin pulls no punches here; her descriptions of the war unambiguously paint Nohr as an unjust aggressor and Hoshido simply trying to defend itself. Corrin's own status as a member of both royal families is also discussed as well as a laying out of the reasons why she made the choice to remain with Nohr rather than her birth family in Hoshido. They do end on a hopeful note however, talking about how King Garon was discovered to be an imposter and his subsequent defeat on the last day of the war, and how Xander's taking of the crown has meant sweeping reforms for the kingdom, renouncing not only the Hoshidan conquests but all other vassal states formerly under Nohrian rule, and a true agreement of peace between Nohr and Hoshido, under its new ruler, Queen Hinoka. The mistakes of the past are acknowledged and that the road to build new relationships of trust and respect will be long, but the future promises to be one of peace and understanding, ending with a transcript of Xander's coronation speech (provided in full here):
Thank you, fellow Nohrians, for joining me in celebration today. The war is finally over, and we have formed a new alliance with Hoshido. Though once enemies, our kingdoms will now strive for peace together. Since the war began, and long before, both Nohr and Hoshido were in agony. Freedoms were oppressed, possessions were plundered, the land was ravaged. Rebellions and uprisings tore our great kingdom apart. Our world was in pain. I never wish to see that happen again…Not to anyone. I won’t allow it. As such, all tribes and other peoples of Nohr shall be granted autonomy. We will not seek to expand our borders by infringing upon Hoshidan land. Instead, we shall strive to build a foundation of trust. Both kingdoms will do all we can to plant a seed of mutual respect. In the years to come, I look forward to watching that seed grow. We have a long road ahead of us. It will not be easy, but it is worth treading. On this day, as I assume my father’s throne, I vow to steady our course. The night sky is dark, but that is what allows the stars to shine so brilliantly. As king, I hope to be the light that guides Nohr out of this long night. I swear I will not rest until our beloved home awakens to a brighter tomorrow. For the great people of Nohr…Here’s to a future of peace and prosperity!
Corrin will spend most of the day in the tent, happily answering any questions either native Vaikunthans or other Offworlders might have for her about her home. There's also, should anyone desire, free sheet music of a certain song Corrin is relatively fond of (and a slinky black dress with accompanying veil is displayed on a mannequin in a position of prominence next to where the sheet music can be collected).
no subject
Upon entering the tent, the young merchants eyes had lit up as she let out a small gasp, standing there in shock for a moment to take everything in. There was so much to read and examine, it felt like it would take an eternity just to see it all!
Although, one thing in particular caught her eye, past all the displays of armor and other various items, which was the sheet music Corrin had set out. Sadly, she had no idea how to actually read it, but she could sense something from it.
"Huh, what's this?"
no subject
"It's called "Lost In Thoughts All Alone"." She explains. "Do you sing at all, Tressa? It's quite a lovely tune."
no subject
‘I’ve never learned how, but it does sound like a lovely song! It did seem rather... special, I suppose, compared to a lot of other things on display here, so it caught my interest.”
Her attention diverted to the dress stationed beside the music itself.
“What about this dress?”
no subject
"It's an easy enough song to learn. Can I see the sheet?" She asks.
no subject
no subject
Corrin clears her throat, closes her eyes, and takes a deep breath. Then, opening them, she begins.
You are the ocean's grey waves,
destined to seek
life beyond the shore,
just out of reach
Yet the waters ever change,
flowing like time,
the path is your's to climb
There's a small smattering of applause; Corrin is obviously not a trained singer, but she can at least carry the tune, and her voice is pleasant enough to listen to. She then skips the second verse, entirely, as it's her least favourite and goes right to the third.
Embrace the dark
You call a home
Gaze upon an empty white throne
A legacy of lies
A familiar disguise
Sing with me a song
of conquest and fate
the black pillar cracks beneath its weight
Night breaks through the day
Hard as a stone
Lost in thoughts, all alone.
The lyrics hardly sound reassuring, but Corrin sings it well enough and with a bit more gusto than the first verse; this time there's more applause as she finishes up, and then hands the paper back to Tressa. "There. Think you can manage it?" She asks, noting out of the corner of her eye some of the other bystanders are now picking up their own copies. She can't help but smile a little at that; she thinks maybe Azura would have appreciated it.
Miss you, sister, wherever you are. She thinks sadly, though this isn't reflected in the pleasant expression she's giving Tressa.
no subject
“U-Ummm, Yeah, I suppose I can give it a go. Just don’t judge me too hard if I mess up, alright? This is my first time singing something, after all.”
Truthfully, she doibted Corrin would tease her about it, but you could never be too sure. She plucked the copy of sheet music from Corrins hand, and began to recite the first verse of the song. She hit a sour note near the end, but otherwise it wasn’t a terrible first try.
“So uh, was that any good?” She asked, laughing a little nervously.
no subject
Except in the case of Corrin, who is beaming as she claps. "Very good." She replies, nodding in approval. "You did a great job." Of course, it wasn't near on the level on which Azura had performed the song, but then again, neither was Corrin's attempt. But it's a good song and she's forgotten how much she enjoys hearing it sung by others. Before today it had really just been Corrin singing it to herself in the shower or humming it under her breath while she worked on some blueprints in her downtime.
She saw how nervous Tressa had been before her attempt, so Corrin gives her a reassuring pat on the shoulder. "And you'll only get better the more you try. You should keep at it! Even if it's just to sing it to yourself." She says with a wink.
no subject
“Hehehe, You’re right about that. The only way to grow is to gain experience, after all.”
no subject
She moves around a table to where some chairs have been set up as Corrin can't be on her feet all day, and she motions for Tressa to join her. "Azura and I were very close, you see, and this was her song." She says softly. "So I can't think of a better tribute to her than to spread her music across the worlds. I'm really pleased you picked up on how important that was. You said it seemed special; can I ask how you knew that?"
no subject
Joining Corrin at the table, Tressa wondered how exactly she could answer a question like that. She thought back to when she first set off on her journey, and considered her reasoning for venturing out in the first place.
“Well, I have always had an eye for treasure, but that’s just for things with monetary value. I didnt learn the true worth of a treasure until later on my travels, after I met a wonderful man who taught me something very important.”
Tressa glanced back down at the sheet music, fondly recalling what Corrin had explained to her about their sisters performance.
“There’s only room in someones heart for a single most precious treasure, something that goes beyond gems or gold or anything like that; something you truly hold near and dear. This music sheet just... spoke to me like that. It seemed special in that way.”
The Princess and the spying hobbler.
Richard sat down and just sort of kept his eyes on Corrin. He was smiling, although he seemed a little more stressed than usual. Understandable, given what's happening in a matter of weeks. He approaches her a little later, rubbing his head. "I'm not entirely sure if anything I got's worth saving. I mean, if I could recreate a proper East Point slop sandwich, that might be worth sharing."
He bobs his head a little. His smile goes a little more faint. "I appreciate that you took yourself out of the situation and told it without bullshitting. It's honestly refreshing for someone that works in the fields I do, and nobody has the time to sort fact from fiction."
no subject
Corrin understands the stress; she's feeling it too, and involving herself in things like this festival helps keep her grounded and focused. And helps her believe that there will be a world after they defeat the dragon. Because they will defeat Bahamut. They will.
...They have to.
"I don't see why you couldn't. What's the recipe?" She asks. "I bet if there are any ingredients we can't find in Vaikuntha we can probably make substitutions."
She glances over at one of the displays that talks about the Hoshidan war; squinting, she can just make out that it appears to be talking about the Battle of Fort Jinya. "Thanks, Richard." She says gratefully. "Some of it was difficult to talk about, but it was important to me that the people here get the complete picture of Nohr, and that meant talking about the bad as well as the good. History has to be complete or it's just propaganda."
She sets the bonnet down and goes to sit down as well. "I don't know if I've ever asked you a lot about East Point." She says. "What's it like?"